"Knowing 'The Unknowns': The Artwork of Chitra Ganesh" [e-journal article] by Svati P. ShahPublication Date: Feminist Studies, 2011, Vol. 37 (1), pp. 111-126
"Ganesh's work has also been described as mythic, postcolonial, and rebellious, as it brings together a diverse array of images and referents from Indian mythic poetry; the Progressive Artists' Group (one of the most influential groups of modern artists in India, formed in 1947 and active until 1956); comics and graphic novels from the United States, India, and Japan; Mexican muralism from the early-twentieth century; contemporary street art and graffiti; as well as phantasmagorical motifs from Egon Schiele, Hieronymus Bosch, and Albrecht Dürer and autobiographical meditations in the vein of Bhupen Khakar, Frieda Kahlo, and Ana Mendieta. The mythological figure of 'The Negro,' who was always excluded from the good, the true, and the beautiful in Western aesthetics on account of his otherness, comes to embody the image of physical perfection and aesthetic idealization in which, in the canonical figure of the nude, Western culture constructed its own self-image. Some twenty-five years on, the problem in a solely oppositional reading of art that aims to push the boundaries of the canon is that it centers 'the center' as the subject and reduces the frames, critiques, and contexts for the work in question to a conversation with dominant modes of power and to a project of recuperating marginal subjects"--Summary provided by the journal Feminist Studies.